It was at the age of 18, when I began improvising on the harp, that I developed a taste for musical composition. Whether on the Celtic harp, for traditional settings, or on the pedal harp for more contemporary or electric sounds, I can arrange your music or simply perform and record your scores. I have three Camac harps: a Melusine concert Celtic harp, an electric harp, and an Atlantide Prestige.
During the production of Humankind, I became interested in ancient traditional instruments. In particular, I sought to recreate the sound of ancient lyres. I then met the Luthieros lutherie workshop in Greece, which introduced me to their replicas of lyras and kitharas. Thanks to the ethnomusicologist Patrick Kersalé I also worked with a recreation of a 12th-century Khmer harp, reminiscent of Egyptian harps with its boat-like shape.